Windows x64 | Languages: Multilingual | File Size: 336.89 MB

DxO PhotoLab 3 - Designed by and for photographers with exacting standards and a love for beautiful images.

DxO PhotoLab 3's new HSL (Hue, Saturation, and Luminance) Tool is an exciting and superbly visual way to manage color that can help you produce more creative and natural-looking images. The new DxO ColorWheel is a fantastic new color adjustment tool that you can use to select color ranges from eight separate channels, including orange and purple.

The DxO ColorWheel can fine-tune color values, select replacement colors, and it can even adjust transitions and tints for truly distinctive effects. The new Uniformity Slider helps you standardize color variations within a specific range, while the Saturation and Luminance Sliders now work independently of each other, making them perfect tools for converting color to black and white without the use of complex masks. The new tools are ideal for partially desaturating images.
DxO ClearView brightens the horizon in your images by removing any haze from your landscapes or smog from your urban photos. This exclusive feature increases local contrast after thoroughly analyzing the colormetric components of your image. This technology makes your image more radiant without creating a halo effect around drastic transitions.
Push your equipment to the limit thanks to DxO's industry-leading denoising technology, DxO PRIME. Remove noise from your high ISO images without loosing any details or colors.
During the 15 years DxO has been active, over 42,000 lens/camera combinations have been precisely analyzed in our laboratories. Their characteristics have been thoroughly studied to understand how these chains affect the image and to develop corrective profiles specifically for your equipment. Optical flaws like a lack of sharpness, vignetting, chromatic aberrations, and distortion are automatically and effectively corrected.
U Point selection assistance technology is fully integrated with DxO PhotoLab via its multi-setting equalizer interface, allowing you to make intuitive and effective local adjustments to complement the software's automatic corrections.
Applying Local Adjustment Masks to photos is now easier than ever with the new DxO PhotoLab 3. A special new palette lists the local adjustments that have already been applied to your image. With one click you can see all the settings for the local edits applied. You can choose to display the adjustments or else hide them instantly as a Photoshop Mask, all with a single click.
The Local Adjustment Masks feature is extremely flexible and non-destructive, enabling you to flex your creative muscles fearlessly. With the new Opacity slider, you can adjust exactly how much your local edits show, all without going back to adjustments. There's also a brilliant new function that inverts adjustment masks with just one click, making this an even more versatile and creative tool.
Apply Graduated Filters to balance the exposure in your image, add depth to the sky, or draw the eye to your subject by darkening or blurring surrounding areas. Just like the Control Points used with U Point technology, you can also use the multi-setting equalizer.
The Brush tool lets you create a retouching mask and correct a specific area with a high degree of precision by adjusting its opacity. The Automatic Mask can even automatically detect colors that are similar to the ones you initially selected.
Are features like a mote of dust, a pebble, or a bird in the sky drawing attention away from your subject and breaking up your image? The smart Automatic Repair tool replaces these elements with a matching area in the image, such as a part of the sky or sand.
There will always be something in a photo you might want to erase, such as a bird, a person, or a piece of rubbish. DxO PhotoLab 3 can make them disappear with the redesigned Repair Tool, with big improvements to the 'Repair' mode and a brand new 'Clone' mode.
The Repair mode works as a retouching brush that samples pixels from one part of an image for you to use in an area you want to reconstruct or repair. It's the perfect way to cover up unwanted objects and it adjusts pixels to match the color and lightness levels of the area you're repairing. Areas can be manually selected and you can even use another image as your source. The brand new Clone mode is the ideal way to replace areas of an image with an exact copy of another part of a photo. Opacity and Feather settings can be adjusted in both modes, making repairs look completely natural without harsh edges or visible transitions.

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